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In the year 2022, the United States is prospering with an unemployment rate at 1% and crime at an all-time low. To keep this prosperity the government creates an annual 12-hour period from the evening of June 7 to the morning of June 8 in which all criminal activity, including murder, becomes legal. During this time, police and hospitals suspend all assistance services and execute citizens who refuse to participate. This event, known as The Purge, is designed to serve as a catharsis for the American people, giving them a chance to vent all negative emotions however they desire, with the ultimate goal of keeping unemployment and crime at extremely low levels for the rest of the year. During this night of violence and crime, a stranger screaming for help is let into James Sandin's fortified house during their yearly lock down. The family is then forced into conflict between their beliefs of right and wrong, and a sequence of events involving the stranger's pursuers puts the family's chances of survival in danger.

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Feast your eyes on what could have been! In the early- to mid-2000s, Warner Bros. was still recovering from 1997′s Batman & Robin, and in search of a director who might be up to the challenge of reinvigorating the franchise. One of those filmmakers was Christopher Nolan, who obviously went on to get the gig, but another was Darren Aronofsky who teamed up with Frank Miller to pen a screenplay called Batman: Year One that actually had nothing to do with the classic comic-book storyline. Instead of the traditional elements of the Batman mythos, this new version featured Bruce Wayne as a homeless vigilante and Alfred as an African-American mechanic going by the name Big Al.

Although the approach was scrapped in favor of Nolan’s Batman Begins, the project still lives on in the form of concept art. Comic Book Movie scored the following batch of images, giving you a look at what might have been. You can see a slew of costume designs as well as takes on the Batmobile, some weapons and even Catwoman and Jim Gordon. Aronofsky clarified last night on Twitter that, “none of that year one batman art circling the web originated from mine or frank’s work. so can’t take credit or blame for it,” which may mean the designs were commissioned by Warner Bros.

http://spinoff.comicbookresources.co...art-uncovered/

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Raymond Frederick Harryhausen
Born: Los Angeles 29th June 1920
Died: London 7th May 2013.

The Harryhausen family regret to announce the death of Ray Harryhausen, Visual Effects pioneer and stop-motion model animator. He was a multi-award winner which includes a special Oscar and BAFTA. Ray’s influence on today’s film makers was enormous, with luminaries; Steven Spielberg, James Cameron, Peter Jackson, George Lucas, John Landis and the UK’s own Nick Park have cited Harryhausen as being the man whose work inspired their own creations.

Harryhausen’s fascination with animated models began when he first saw Willis O’Brien’s creations in KING KONG with his boyhood friend, the author Ray Bradbury in 1933, and he made his first foray into filmmaking in 1935 with home-movies that featured his youthful attempts at model animation. Over the period of the next 46 years, he made some of the genres best known movies – MIGHTY JOE YOUNG (1949), IT CAME FROM BENEATH THE SEA (1955), 20 MILLION MILES TO EARTH (1957), MYSTERIUOUS ISLAND (1961), ONE MILLION YEARS B.C. (1966), THER VALLEY OF GWANGI (1969), three films based on the adventures of SINBAD and CLASH OF THE TITANS (1981). He is perhaps best remembered for his extraordinary animation of seven skeletons in JASON AND THE ARGONAUTS (1963) which took him three months to film.

Harryhausen’s genius was in being able to bring his models alive. Whether they were prehistoric dinosaurs or mythological creatures, in Ray’s hands they were no longer puppets but became instead characters in their own right, just as important as the actors they played against and in most cases even more so.

Today The Ray & Diana Harryhausen Foundation, a charitable Trust set up by Ray on the 10th April 1986, is devoted to the protection of Ray’s name and body of work as well as archiving, preserving and restoring Ray’s extensive Collection.

Tributes have been heaped upon Harryhausen for his work by his peers in recent years.

“Ray has been a great inspiration to us all in special visual industry. The art of his earlier films, which most of us grew up on, inspired us so much.” “Without Ray Harryhausen, there would likely have been no STAR WARS”
George Lucas.

“THE LORD OF THE RINGS is my ‘Ray Harryhausen movie’. Without his life-long love of his wondrous images and storytelling it would never have been made – not by me at least”
Peter Jackson

“In my mind he will always be the king of stop-motion animation”
Nick Park

"His legacy of course is in good hands
Because it’s carried in the DNA of so many film fans."
Randy Cook

"You know I’m always saying to the guys that I work with now on computer graphics “do it like Ray Harryhausen"
Phil Tippett

“What we do now digitally with computers, Ray did digitally long before but without computers. Only with his digits.”
Terry Gilliam.

"His patience, his endurance have inspired so many of us."
Peter Jackson

"Ray, your inspiration goes with us forever."
Steven Spielberg

"I think all of us who are practioners in the arts of science fiction and fantasy movies now all feel that we’re standing on the shoulders of a giant.
If not for Ray’s contribution to the collective dreamscape, we wouldn’t be who we are."
James Cameron

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