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01-05-2012 01:04 AM #31
I saw this the other night and it was kick ass.. I do have a question though
Spoiler: -
01-05-2012 04:12 AM #32
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01-09-2012 11:08 AM #33
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For what it's worth, and with the caveat of not having actually watched the BD but going only by the screen captures on different websites, I must say I completely agree with the reviewer on his "digital noise, not film grain" appreciation, and congratulate him on making that distinction where other reviewers have not.
Although, again just from looking at the screen caps, I don't really think it warrants such a tough markdown in the PQ grading. -
01-09-2012 08:56 PM #34
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01-09-2012 09:28 PM #35
Although it is pseudo-grain (meaning, fake grain created by a noise filter), it was in the theaters like that. Tommy's scene's had noise atop of a grey palette added to them to give them grit. This wasnt a mistake.
So to say the "bluray transfer gets a 2.5" is DEFINITELY unfair. The bluray is an accurate representation of what was in theaters. So give Director Gavin O'Connor a 2.5 for choosing to do this, but its uncalled for to give the transfer a 2.5.
Sorry Luke. -
01-10-2012 09:58 AM #36
Now we're back to the '28 Days Later' argument. Would you give a picture shot at 240p resolution and plauged with edge enhancement and electronic noise issues a 5-star score if that's the way it looked in theaters? Or would you try to be honest with readers and warn them that the picture looks like crap?
Josh Z
Critic, High-Def Digest (Blog updated daily!)
Contributor, Home Theater Magazine
Curator, Laserdisc Forever | Cinema Zyberdiso.
My opinions are strictly my own, and do not necessarily reflect those of this site, its owners or employees. -
01-10-2012 10:13 AM #37
Its not what you say, it's how you say it.
If a movie was shot and presented to us on Blu-ray the same way it looked theatrically, one cant blame the blu-ray, or master, or transfer like we can when we got a bum version of Gladiator.
I'd let the readers know that they may not like the visual direction... that it was the decision of the writer/director/producer.
Should they scrub the master of DNR to get rid of the noise on the bluray? Then it wont look like it did in theaters. People would complain that it's not supposed to look that way. -
01-10-2012 11:08 AM #38
yeah it's a tough call.
I rewatched 28 Days Later a few days ago and actually really liked the poor quality through most of the film. it almost gave it an amateur shot feel, similar to Cloverfield, which made it more believable to me.
but at the same time, you can't give something like that 5 stars. if it were me, I'd probably put the rating somewhere between the transfer quality and actual quality, at maybe 3 stars, and reserve 1 and 2 star scores for the really botched transfers like the original release of Gladiator. -
01-10-2012 01:25 PM #39
Right. When the TRANSFER on the master for the Bluray is bad, give the PQ on the Bluray a 2.5.
When the PQ changes looks between scenes when it shouldnt, like the From Dusk Till Dawn, give the PQ on the Blu-ray a 2.5.
But when we clearly see that all scenes with TOMMY are on a grey pallete with noise, while all scenes with BRENDAN are clean with bright colors, that's an artistic choice, not a Blu-ray failure. -
01-10-2012 01:45 PM #40
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01-10-2012 02:14 PM #41
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Spoiler:
For fans of Tom Hardy, specifically Tom Hardy Walking
tomhardywalking.tumblr.com/ -
01-13-2012 12:44 AM #42
Great movie. Watched it on Blu but I got too caught up in the story and didn't pay close attention to the PQ, in a nutshell I thought the rougher, more washed out picture with Tommy's scenes vs the more vivid and colorful ones with his brother were done on purpose to accentuate the different paths they took. But I dunno that's just a quick observation of mine, eyes were squarely focused on the good acting and story being told. Definitely in my top ten, probably even in my top 5 of 2011.
Usul, we have wormsign the likes of which even God has never seen.
We're breeding a race of moral midgets. -
01-13-2012 10:28 AM #43
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01-13-2012 04:39 PM #44
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01-13-2012 06:03 PM #45
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But the issue here is not that I mind the "noise", for I saw this at the theater and I am well aware that's deliberate and intended on the creators' part, and I most definitely DO want the BD transfer to faithfully retain that gritty look.
The problem here is that what was film grain in theaters has turned into digital noise instead on the BD, because of a not good enough transfer into the digital realm.
Same thing here. If that's what you take from the review, you have clearly not understood it.
The reviewer is NOT talking AT ALL about "liking" or "not liking" the look of the movie, he is clearly complaining that that look has not been properly translated into the BD transfer. He is not complaining about it looking "dirty", he is complaining about it being marred by digital noise that WAS NOT on the movie to begin with, because it was film grain (contrary to what some other posters seem to think, this was shot on film, not digital).
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